Saturday, January 11, 2014
Rest In Peace Alondra
There was shock. There still is. For most of the week I thought about all the things she'll never get to do or try to be. Simple things like never going to Senior Prom. Never getting to drive on her own. Never getting to go to college. Never getting married. Having her own kids. And on and on.
Ali was a sweet, gentle girl who nonetheless had a core of strength inside her. Tell her she couldn't do something and she'd show you she could.
She was always smiling and loved to laugh and sing. She loved her friends and had many. Always outgoing, she made friends easily. And she wanted her family to share her friends, too.
I'll miss you Ali. You were the kindest, sweetest niece an uncle could ever want.
Sunday, December 8, 2013
Why Han Shot First
Earlier today somebody on Twitter posted the idea that it didn't matter that Han Solo shot first or last in whichever version of A New Hope you've seen. (I'm old enough that I saw the original in 1977 in a theater and Han shot first.)
However, from a character standpoint it does actually matter. Han Solo is not a hero. He's barely an anti-hero. He is a mercenary who works for the highest bidder. The entire negotiation scene between him and Ben Kenobi in the Mos Eisley Cantina makes this clear. He's only interested in taking Luke, Ben and the droids as passengers if the price is right. After that he's all smiles.
Almost immediately Han is accosted by Greedo, one of Jabba The Hutt's tough guys. The scene that follows shows Han feeling out Greedo. Maybe he can be schmoozed or bribed. When it becomes apparent that Greedo is out to gun Han down, he takes matters in to his own hands and shoots first. It isn't a heroic act and it fits Han's personality at this point.
Everything that Han says and does in the movie is pragmatic and self-serving almost until the end when he shows up and distracts Darth Vader, allowing Luke to make the shot that destroys the Death Star. And even then that act only happens because Chewbacca coerces Han. (This is made clear in the semi-canon Star Wars radio play.)
The point of all this is that Han Solo is not a nice guy at the beginning of the story. He isn't particularly nice at the end, either, but he's pragmatic. Shooting first is pragmatism. Waiting to be shot at is heroic. And Han at that moment is not heroic. That scene weakens the arc Han goes through in Star Wars.
I didn't have a lot of problems with the changes George Lucas made to the Original Trilogy. Some of them were silly (parts of the Mos Eisley sequence in particular) but some of them actually helped the movie without getting in the way of the plot (the way Cloud City was opened up and made to feel larger). However, having Han shoot first immediately felt wrong. I understand the logic but I knew when I first saw it that it was the wrong change to make.
I stand by that.
Tuesday, October 1, 2013
Dragon Zombies
Thursday, June 14, 2012
Baaad Little Kitties
It was just getting dark as we made our way down the hole that led outside. Mom would have preferred we stay in tonight, but she knew the score. There was hunting to do and we were the ones to do it.
Tuesday, March 13, 2012
What Makes The Anti-Hero Tick?
A villain is someone who is doing whatever he is doing for personal gain no matter the cost to anyone around him. A villain can be a bank robber or a megalomaniac bent on ruling the world. The defining point is that the character doesn't care about anyone beside himself and his goals. He'll torture, maim and kill anyone who gets in his way as he reaches for his goal. He may or may not be sane but he is always focused on his goal.
Examples are the various Bond villains (especially the ones from the Sean Connery era), The Batman villain Joker, Superman villain Lex Luthor and Harry Potter bad guy Voldemort. They're all focused on their goals and they're all willing to kill to get what they want.
A hero is a selfless individual who looks out for the safety and well-being of others. He'll put his own life on the line to save a total stranger, not because he stands to gain from it, but because it's the right thing to do. The hero attempts at every turn to do no harm to bystanders and to limit damage to personal property. He is a "boy scout" to varying degrees.
Examples of the true hero include just about every superhero from the 1940s on (there are some exceptions and we'll get to those), Joe Friday in Dragnet and just about any character played by John Wayne (again, there are exceptions).
So there's the range from bad guy to good guy. In between we have the anti-heroes. Their reasons for doing what he does, for saving damsels (or dudes) in distress vary greatly. They are almost always characters who go against the grain, who have their own methods for getting things done and who tend to not stand for bureaucratic b.s. They are often loners, usually because they feel the world doesn't understand them and that it's better to be alone than with people that they feel uncomfortable around.
Anti-heroes, unlike the villains, usually has a code to live by. Most often this code involves what they won't do to get the job done. For example Batman has a hard and fast code against killing no matter who the person might be. Wolverine of the X-Men has a general code against harming children, going as far as telling the young Katie Power (of the Power Pack) to keep her eyes closed so she won't see him effectively disembowel the villain trying to hurt them both.
Examples of the anti-hero include Batman and Wolverine as mentioned above, Marvel Comics' Punisher, certain incarnations of James Bond, the Sylvester Stallone character John Rambo, John McClain from the Die Hard movies, and pretty much every other action hero who doesn't fit in to the true hero camp.
So, where's the line? Essentially this: an anti-hero is a hero but without the need to uphold the law or be beholden to anyone. The anti-hero gets the job done. It may require a high body count, it may require a great deal of visceral violence and it will probably require a few well-placed quips, but the job will get done. An anti-hero is not a villain because, unlike the villain, the anti-hero cares if someone innocent gets hurt in the crossfire. The anti-hero can seem to be a villain (the Punisher started out as a Spider-Man villain) but never crosses the line into being purely evil.
Sean Connery's James Bond may throw an electric heater in to a bathtub full of water, killing the henchman through electrocution, but he won't put a bystander danger of his own accord and will, in fact, go out of his way to avoid hurting people who aren't involved in his fight.
John McClain may kill hundreds of the villain's henchmen, but he won't fire in to a crowd because he might injure or kill a civilian.
Anti-heroes will work outside of the establishment if the establishment gets in their way but they'll always come back to the fold in the end because the establishment represents what's right even if it is a pain in the ass.
Boiling it down to its core the thing that sets an anti-hero apart from a villain is the anti-hero's desire to do the right thing. Save the hostages, capture the bad guy, uncover the corruption, whatever it is. The anti-hero is heroic without having to be the boy scout.
Friday, January 13, 2012
Here's the thing: all of the blogs/journals I've had on the Internet have been places to vent frustration about the world around me. This is true of my personal offline journals as well. The time when I feel the urge to write things down is when the world has gotten me down. As much as I've tried to write about the good things that have gone on (and there have been a few of those over the years) but it doesn't last. I suppose I'm too happy at the time and writing about it doesn't occur to me.
But I'm going to try. I'm going to try to make a point of writing the good things and the bad things that happen.
Life
Dad spent Christmas in the hospital with pneumonia and a blood clot in his lungs. (Pneumonia in one and the clot in the other.) Got the pneumonia cleared up but had to wait over a week for the anticoagulant to build up enough so they could send him home. (Quick background: Dad had a tumor in his lung two years ago, went through radiation and chemotherapy and that tumor is gone, then they found another one at the beginning of last year and a procedure called Gamma Knife Radiation (essentially a extremely focused beam to cut out the tumor). That tumor is also now gone, or at least very hard to find when they do the PET scans they've been doing.
Work is work. I work at Target primarily as the Key Team Member for Signing. I prepare the silly little signs for every weeks Sunday Circular. If I'm lucky I work on the salesfloor one or two days a week. Some weeks I actually get enough hours that I can almost pay my bills. As New Year starts I may or may not have to go back on partial Unemployment to make ends meet. We'll see.
Writing
I put the current Work In Progress on the back burner during the holidays. Mostly because the holidays in retail are Hell x 100. I intend to get back to it fairly soon. Probably in the next week or so. I'm at a good stopping point, though, so getting back in won't be a problem. I'm hoping to have the first draft done by maybe March or April depending on how much time I have. Then revision time begins. If I'm lucky I'll get the whole thing done and done by June or July.
Other Stuff
Behind the scenes I'm also a gamer. Right now I'm playing Star Wars: The Old Republic MMORPG. It's an impressive game, fully voice-acted with lots and lots of story stuff. There's still a lot of the "Kill x of y" quests, but they come as bonus missions along with the main quest. Bioware, it seems, realized that the player is going to kill those guys anyway so there didn't need to be a large number of that type of quest.
I've also started playing the new Elder Scrolls game Skyrim. Like the other games in the series it's a open world game where you can go just about anywhere and do anything you want. I've only played about two hours of it, but I'll get back in to it at some point.
I also play quite a few games on my iPod Touch and right now I'm addicted to the new Bejeweled and it's Diamond Mine mode. A different challenge and it's actually a lot of fun.
I don't read much anymore. I do listen to quite a few audiobooks, though. It's a different way of consuming both ficiton and non-fiction and it allows me to do other things while I'm listening. I may sometimes have to listen to a book more than once to get everything out of it, but I do that with movies and music, too. At the moment I'm listening to Star Wars books based on the Old Republic game. They're fun and have some interesting ideas in them. The reader has a bad habit of mispronouncing words to an annoying degree (this, to me, is a problem that can be solved by a good director) but the overall stories are fun and not too heavy.
So, that's that. I'll try to post updates at least once a week. No promises. Have a good week!
Monday, June 20, 2011
BDCWB Flash Fiction Challenge #2 Entry
The storm clouds made her nervous.
They had gathered in the early morning before sunrise and had slowly moved across the fields and threatened rain.
She had been playing in the fields as she did most days. School had been out for almost a month and she'd been allowed to do as she pleased unless her mother or father needed her. She tended to stay within earshot of the house. Close enough that her parents could find her but far enough that the sprites wouldn't be afraid.
The sprites were the reason she liked the fields. They had a home in an elderly oak tree that sat in the field. Her father had talked about cutting it down several times over the last few years, but he had never done more than talk. The sprites knew her and would come out of the tree's branches like so many fireflies, drifting on the breeze.
They weren't much for playing, actually, but they liked to talk and they liked to hear about the world beyond the fields. She told them about school and Mrs. Stephenson, her teacher, and about Sparky her dog. Sparky had even come to the tree with her once but all he'd done was bark and that frightened the sprites. She told them her hopes and dreams. How she wanted to get married some day and be a famous musician or maybe a movie star.
The sprites listened to all of her stories, often making comments and suggestions or joking about how they thought a person looked or talked. They hadn't been too far off with Old Man Thompson.
Sometimes they brought her presents. Flowers or small stones. She took them graciously and kept them in a small wooden box in her room, hidden under her bed.
'Let the storm come' she thought as she walked toward the oak tree after lunch (peanut butter and jelly and Fritos). Ominous as the clouds looked she was close enough to the house that she'd only get a little wet and her friends would keep her company until then. The summer was long and the day seemed endless.
Thunder cracked in the distance as she approached the tree.
A lone firefly sprite floated down from the tree.
"Go away," it said.
"But…" was all she managed before the thunder cracked directly overhead.
"Go away," the sprite repeated.
"Why?" she asked.
"This storm is unnatural. It will destroy you if you stay here. And you must survive."
She was used to the cryptic way the sprites talked, but something in the sound of its voice made her believe this sprite.
"Okay," she said, her voice almost a whisper.
She walked back to the house with her head hung low. She reached the screen porch at the back of the house, climbed the stairs and turned to look out over the fields and the oak tree beyond. Lightning arced across the sky, splitting the tree in two.
She cried for days afterward.
